FABRIZIO SAIU


   声音不是物体的属性,而是行动的结果
   Sound is not the property of a thing, but the result of an action
 


MÉTRON EXTENDED

Training session and concert for a musician-athlete
30 cymbals and speeches for voices human and digitally recorded


concept direction music and performance
Fabrizio Saiu

sound engineer Michele Marelli / Silvio Uboldi
light designer Stefano Mazzanti
voices Alice Valenti, Karen (vocal synthesis)
texts J-F Augoyard, Henry Torgue, Guy Debord, Fabrizio Saiu
production Fabrizio Saiu
media 30 Ufip cymbals, headphones, 7 microphones, recorded audio media
duration 40 minutes 
video Giulia Lenzi

Pergine Festival 2021 / ph Elisa Vettori

Developed during an art residence  at PTL (Brescia - September 2020), Tempo Reale (Firenze - July 2021), Urge (Brescia - September 2021), Teatro Grande(Brescia - June 2022). 

Première @Pergine Festival (2022). Reply  @Periferico Festival (2022)  @Ctonia / Interazioni Festival (2022) @Farout Base Milano (2023) @Teatro Grande(2023).



Performance for an athlete-musician, 30 cymbals and speeches for recorded human and digital voices. The concert consists of a training between sound action and art du déplacement. A voice synthesis algorithm (Karen) dialogues with a human voice and intervenes on the modulations of the performer's gesture through sequences of orders and aphorisms, articulating a surreal, oracular and pseudo-philosophical speech. If Karen intervenes on the performer, Alice leads the audience to reflect on the psychophysical effects of sound and urges them and actively participate in a perceptual exercise that interweaves vision with listening and memory. Karen and Alice transform the context of the action into a speech music concert or a science fiction scenario whose protagonist is an astronaut, a traceur, a soldier, a monk, a musician or none of the above.



Base Milano FAROUT Live Arts Festival 2023




This is a performance designed to be produced in an enclosed, quiet space in unusual locations. 
The listening of the entire performance is done through headphones, in order to allow a privileged relationship between the individual user and the performer and reproduce, in a direct and almost tactile way, the sound sensation of the physical impact of the performer's body on the saucers, his breaths and his micro movements.
For a correct listening and viewing, it is strictly necessary that the audience is arranged around the performer at a distance of about 40 cm, arranged in several rows on the ground and standing.

Periferico Festival 2022 / ph Davide Piferi de Simoni

Base Milano FAROUT Live Arts Festival 2023










FABRIZIO SAIU


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SOUND INTERVENTIONS

Guardare [2025]

Peripatetiche dell’ascolto [2023]

Métron Extended [2022]

Intermission [2021]

In Versi [2021]

Au Langage [2020]

Conversazioni [2017] (! under constr)

Métron#1 [2017] (! under constr)

Rovescio [2017]

Métron [2014] (! under constr)

Peso Posa Figura [2012] (! under constr)

Grancona [2012] (! under constr)

Objet sans corps [2011] (! under constr)


RESIDENCY

Intercettazioni [2024] (! under constr)

Teatro Grande [2022]

Tempo Reale   [2021]