FABRIZIO SAIU


  声音不是物体的属性,而是行动的结果
  Sound is not the property of a thing, but the result of an action
 


GUARDARE

Modelli di ascolto per una comunità futura

Idea Fabrizio Saiu
Production Aps Lampedée (Bao), 
Teatro delle Moire (Danae Festival), Amigdala (Periferico Festival).


The figure of the spectator was widely criticized in the late 20th century as it was considered part of the commodification process of everyday life in the forms of spectacle. The spectator, understood as one who does not actively participate in life but rather observes it from a distance, is a passive user and an uncritical consumer. They coexist with and regenerate the spectacle system, simultaneously presenting themselves as both content to be consumed and as a consumer.

However, precisely because of this complex position, the figure of the spectator is useful for understanding our mediated relationship with the world and for rethinking our models of active participation in society.
The condition of waiting, as a form of distant observation, is a state of both actual and apparent idleness. Looking at the world through the eyes of the spectator does not necessarily imply passive consumption or uncritical acceptance of the world. Rather, it can mean placing the world into perspective, engaging in conscious and active listening, and practicing a subjective and participatory form of observation.
Dynamic observation, on the other hand—while walking—is an acritical practice in the sense that it escapes perspective-setting. It unfolds through a continuous exercise of exposure to what surrounds us. The focus is not so much the object of observation, the landscape, but the act of attention itself, a state of alertness.

Watching is a subjective and participatory environmental intervention.
It unfolds as a series of exercises connected by a walk and centered on the relationship between vision and listening—practiced either in a resting position, sitting while facing a scene, or in movement, in flight from the scenes.









FABRIZIO SAIU


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SOUND INTERVENTIONS

Guardare [2025]

Peripatetiche dell’ascolto [2023]

Métron Extended [2022]

Intermission [2021]

In Versi [2021]

Au Langage [2020]

Conversazioni [2017] (! under constr)

Métron#1 [2017] (! under constr)

Rovescio [2017]

Métron [2014] (! under constr)

Peso Posa Figura [2012] (! under constr)

Grancona [2012] (! under constr)

Objet sans corps [2011] (! under constr)


RESIDENCY

Intercettazioni [2024] (! under constr)

Teatro Grande [2022]

Tempo Reale   [2021]